icon caret-left icon caret-right instagram pinterest linkedin facebook x goodreads bluesky threads tiktok question-circle facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle

Frances Mayes'
Under the Tuscan Sun:
At Home in Italy

Reviewed by
Deborah Lightfoot Sizemore

Surprising one's life

Shortly before my husband and I packed up and headed to Mexico in 1997, I discovered Frances Mayes's Under the Tuscan Sun. Mayes's memoirs of buying and restoring an ancient stone house in Italy proved to be one of those serendipitous finds that fills a need heretofore unrecognized. Just as I was beginning the greatest adventure of my life—full-time residency in a foreign country—there fell into my hands this beautifully written book by another who had taken the same kind of plunge, and for many of the same reasons.

In fact, with their purchase of a long-abandoned stone structure in Tuscany, Mayes and her husband jumped into deeper waters than Gene and I did. At least our house in Jalisco, Mexico, was fully modern and needed no restoration; we just moved in, plugged in, and started living the life we'd dreamed of.

Mayes, however, faced the nightmare prospect of a long-distance restoration: Italian workmen gutted and renovated their new multistory home during one long winter, while Mayes and her husband remained in San Francisco tending to their jobs as university professors. If you've ever had major work done to your house, you can imagine their near-panic as they tried to monitor and supervise the work by phone and fax from several thousand miles away.

The first half of Under the Tuscan Sun follows their adventures in restoration, a combination of comedy and tragedy as they wrangle with the emotional Italians to finally get the house they'd envisioned. If you like This Old House on PBS, you'll love Mayes's detailed account of work done, undone and redone.

My favorite part of the book, however, is the half in which she tells of touring the Italian countryside, discovering the out-of-the-way places that are within driving distance of their new home. If you've been to Italy or longed to go, you'll eat up the chapters on Etruscan tombs, Roman roads, forest paths, churches great and small, high town walls with gates that once kept out hordes of Ghibellines and Guelfs, and narrow streets branching off of crowded piazzas.

And the food—for page after page, Mayes writes of shopping for fresh fruttas e verduras, cooking lavish meals for two and twenty, trying new recipes, and adapting to local ingredients the family recipes of her Georgia upbringing. Unless your tongue's been cut out, your mouth will water at the glowing descriptions of Italian food. I hate to cook, and yet I photocopied several of Mayes's simpler-sounding recipes to carry with me on twice-weekly trips to San Luis Soyatlan's produce market. Why not attempt Italian cooking with Mexican ingredients? The two countries, after all, are not so far apart in latitude or culture.

The similarities between Mayes's experiences in Italy and mine in Mexico drew me to this book as a nectar-filled flower draws a hummingbird. Mayes writes of "exploring the layers and layers of Tuscany and Umbria; cooking in a foreign kitchen and discovering the many links between the food and the culture—these intense joys frame the deeper pleasure of learning to live another kind of life. . . . life must change from time to time if we are to go forward in our thinking."

Like Mayes and her husband, Gene and I felt "the desire to surprise our own lives." We left behind comfortable predictability and sought to live another kind of life, one that brings daily adventures, surprises, and discoveries. For me, perhaps the most welcome change was the simplest: Like Mayes in her Italian rose garden, I in my airy Mexican house have reveled in "long days with birdsongs instead of the sound of the telephone."


—First published in the Winter 1998 Friends News, a publication of Friends of the Fort Worth Public Library, Inc.


Book Review:
Stephen Hawking's
Black Holes and Baby Universes

Reviewed by
Deborah Lightfoot Sizemore

A mind-stretching experience

Reading the works of Stephen Hawking is like listening to opera: I don't understand everything that's said, but I enjoy the experience.

Hawking, the brilliant theoretical physicist from England, surprised a lot of people (including himself) with the success of A Brief History of Time, published in 1988. The reissue of that book in an expanded and illustrated edition reminded me to pick up the sequel, a collection of essays titled Black Holes and Baby Universes. This later work differs from A Brief History in offering intimate glimpses of Hawking's personal life and his struggle with Lou Gehrig's disease.

Born in Oxford in 1942, Hawking grew up in Highgate, north London. His father was a medical researcher; his mother the daughter of a family doctor. Most of their neighbors were also scientific and academic people. "In another country they would have been called intellectuals," Hawking writes, "but the English have never admitted to having any intellectuals."

Though he describes himself as an unremarkable student, Hawking says he was always interested in how things operated and used to take things apart to see how they worked. "But I was not so good at putting them back together again. My practical abilities never matched up to my theoretical inquiries." From the age of 13 or 14, he knew he wanted to do research in physics because it offered the hope of unlocking the secrets of the universe.

His decision to pursue a career in theoretical physics proved fortunate, for he had barely begun work on his Ph.D. at Cambridge when, at age 21, he was diagnosed with ALS (amyotrophic lateral sclerosis), or Lou Gehrig's disease. Theoretical physics was one of the few fields of scientific research in which his condition would not be a serious handicap.

Hawking married in 1965, two years after he was diagnosed with ALS. While still in his twenties, and already confined to a wheelchair, he developed new mathematical techniques to theorize about conditions in the early universe. His work showed that there was a time in the past when all of the galaxies were on top of each other and the density of the universe was off the scale. This high-density state is called the "big bang" singularity.

Hawking is also famous for his work on black holes, which form when massive stars burn out and collapse in on themselves. The gravitational field of a collapsed star is so strong that light cannot escape but is dragged back. It is impossible for us to see such a star because the light it emits does not reach us; thus the name "black hole."

I don't pretend to actually understand everything Hawking writes about black holes, baby universes, curved space, the linked nature of space-time, or the possibility that the universe may have many alternative histories. For all of that, his writing is remarkably accessible. When I read his essays, I get a comfortable sort of feeling, as if I were listening to music. I do not need to analyze each note to enjoy an aria; the music's cumulative effect is what counts. Neither do I need to fully understand Hawking's ideas to enjoy his writing.

Readers who shy away from Hawking's books because they think the material is beyond their grasp are missing some fine writing. They're also denying themselves the pleasure of his dry British wit. I frequently laughed aloud at the jokes and anecdotes sprinkled through these essays. Black holes, Hawking ruminates, might be useful for getting rid of garbage or even some of one's friends. The search for a grand unified theory (a "GUT") that describes the universe and everything in it is a slow process because "it is too difficult to think up a complete theory of everything all at one go (though this does not seem to stop some people; I get two or three unified theories in the mail each week)."

Whether you're working on your own theory of everything, or you thought "black hole" simply described a teenager's bedroom, you won't come away empty from an encounter with the boundless mind of Stephen Hawking. So go ahead—put on a Lohengrin CD and stretch out with Hawking's essays. Space and time may never look the same to you again.


—First published in the Winter 1997 Friends News, a publication of Friends of the Fort Worth Public Library, Inc.